Focusrite ISA Two

Details

Overview

• You may only need a couple of mic preamps, but they need to be the very best. The ISA Two dual-mono mic pre is the ideal solution: two independent channels of the highest quality classic Focusrite mic pres, with line in and front-panel instrument inputs – no DI box required. Based on the legendary designs found in the Focusrite Forte and Studio Consoles, ISA Two is the ideal front-end for your rack
• Superb sound spanning four different decades Focusrite’s microphone preamplifiers go back to the original Focusrite ISA 110 modules, when Rupert Neve was commissioned by George Martin in 1985 to create a no-compromise channel strip for his Neve console. Combining the very best solid-state electronics with transformer coupling, Focusrite mic pres have played a key part in the recording of hundreds of hit records and they’re the choice of leading artists, producers and engineers around the world.
• Lundahl Transformers At the heart of the ISA Two is a pair of Lundahl LL1538 transformers. ISA products have relied on Lundahl from the beginning, since their components were originally specified in 1985. The LL1538 features a 3-section winding, resulting in very low leakage inductance and, as a result, an extended frequency response. They’re encapsulated in mu-metal cans to shield them from stray magnetism.
• Variable input impedance and up to 80 dB of gain ISA Two features two classic Focusrite mic preamps, with four impedance settings including the original ISA 110 setting. Variable input impedance allows you to go for an accurate, transparent sound or choose to highlight the character of your favourite vintage mic – and anywhere in between. With up to 80 dB of low-noise gain, ISA Two can perform in the most demanding situations - really bringing your ribbon, condenser or moving coil mics to life.
• Insert your choice of processors Each channel has a fully-balanced insert point accessed via TRS sockets on the rear panel and activated with a front-panel button, so it’s easy to use outboard processors with the ISA Two. Just plug in your choice of EQ, compressor or limiter.

Key Features

• Lundahl LL1538 mic input transformer
  Rupert Neve originally chose the Lundahl LL1538 to be the input transformer on the ISA 110. To this day the Lundahl transformer remains the best microphone input transformer available, and is used in every ISA Series mic pre. Rupert Neve also perfected the Zobel network found in the ISA circuit; something which takes a lot of knowledge and a golden set of ears. This allows the ISA mic pre to maintain an extremely flat frequency response across a very wide bandwidth.
• Up to 80 dB of gain 
• ISA Two offers up to 80 dB of clean, distortion-free gain. The much-heralded ISA topology also ensures low-noise even at the highest gain levels. The transformer alone supplies 20 dB of gain, while ISA’s input stage offers up to 60 dB in addition, giving an astonishing 80 dB of maximum gain on the microphone input.
• Variable input impedance
• Four choices of input impedance, including the original ISA 110 value, allow you to match the preamp to your microphone, even if it's a vintage type, giving you the best possible sound. The impedance is selected using a switch on the front panel, and the impedance choice is remembered even once the unit is switched off and back on.
• User-calibrated metering
• Each channel has an eight-LED array to clearly display the level of your two signals. You can line up your analogue evels with your converters or DAW by using the calibration knob on the rear panel. You will be safe in the knowledge that you have avoided clipping on the way in.
• Front-panel instrument and rear panel line inputs
• Two 1/4in jack sockets on the front panel of ISA Two give you instant access to a transparent DI input. TRS line inputs are available on the rear panel too, and you can step through them instantly to select the one you want.
• Variable cut-off high-pass filter
• Built in, and easily accessed with its own large knob and illuminated button, is an extremely smooth-sounding 18 dB/octave high-pass filter of the same design as the original ISA 110 module. This is ideal for cutting out rumble, thumps and other unwanted low-frequency sounds and with a range of 16 to 420 Hz, it's easy to lose what you don’t want, and keep what you do.
• Rear panel balanced inserts 
• Each channel of ISA Two has its own balanced insert point. With 1/4" TRS send and receive connections, your choice of signal processor can be connected and switched in and out using the illuminated switch on the front panel.

Specifications

Two channel classic Focusrite ISA transformer-based preamp

Front panel, per channel:
1/4" instrument input
Variable input impedance - Low, ISA 110, Medium, High
Input selection - Mic, Line, Instrument
0 - 30 dB/30 - 60 dB gain switch
Phantom power switch
Phase invert switch
0 - 60 dB gain in 10 dB steps
0 - +20 dB continuously variable trim
Variable high-pass filter with on/off switch
Insert point on/off switch
Eight-LED user-calibrated level meters
Single power switch

Rear panel, per channel:
XLR-F mic inputs
1/4" TRS line inputs
1/4" TRS Sends
1/4" TRS Returns
XLR-M line output
Single peak meter calibration dial
Single IEC power socket

Measured Performance 

Maximum Input and Output Levels
Maximum Output Level	+24 dBu with a THD+N < 0.01% at 1kHz measured with 150 Ω source impedance and 22Hz/22kHz band-pass filter
Maximum Microphone Transformer Input Level	+7 dBu with a THD+N < 0.7% at 1kHz measured at 0 dB of gain with 150 Ω source impedance and 22Hz/22kHz band-pass filter
Mic Input Response
Gain range	0 dB to +60 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim
Input Impedance	Switched Impedance setting  Equivalent Input Impedance at 1 kHz	Low = 600 Ω ISA 110 = 1.4 kΩ Med = 2.4 kΩ High = 6.8 kΩ
EIN  (Equivalent Input Noise)	Measured at 60 dB of gain with 150 Ω  source impedance and 22 Hz-22 kHz band pass filter	-127 dB
Noise	Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter	-97 dBu
Signal-to-Noise Ratio	Measured with 150 Ω source impedance and 22 Hz-22 kHz band pass filter	121 dB relative to max output +24dBu
Total Harmonic Distortion + Noise	Measured with a -20 dBu input signal at +30 dB of gain and with a 22 Hz-22 kHz band pass filter	< 0.0007% at 1 kHz
Frequency Response	At minimum gain (0 dB)	-0.5 dB at 10 Hz, -1 dB at 135 kHz, relative to 1 kHz
	At +60 dB gain	-6 dB at 10 Hz, -1 dB at 115 kHz, relative to 1 kHz
CMRR (Common Mode Rejection Ratio)	-94 dB for mic input at 60 Hz for max. output = +24 dBu -91 dB for mic input at 10 kHz for max. output = +24 dBu
Crosstalk Channel to Channel	Mic input, with I/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB
Line Input Response
Gain Range	-20 dB to +10 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim
Input Impedance	10 kΩ  from 10 Hz to 200 kHz
Noise	Noise at main output with gain at unity (0 dB) measured with 50Ω source impedance and a 22Hz - 22 kHz band pass filter	-97 dBu
Signal-to-Noise Ratio	Measured with 50 Ω source impedance and a 22 Hz-22 kHz band pass filter	121 dB relative to max output +24dBu
Total Harmonic Distortion + Noise	Measured with a 0 dBu input signal, +10 dB of gain and a 22 Hz-22 kHz band pass filter	< 0.002% at 1 kHz
Frequency Response	At unity gain (0 dB)	-0.3 dB at 10 Hz, -1 dB at 80 kHz, relative to 1 kHz
Crosstalk Channel to Channel	Line input, with I/P = 0 dBu, gain = 0dB  @ 1 kHz input to channel A	Channel B output = -91 dB
Instrument Input Response
Gain Range	+10 dB to +40 dB continuously variable trim
Input Impedance	> 2 MΩ
Noise	>Measured with 22 Hz-22 kHz band pass filter	Minimum gain (+10 dB) = -95 dBu
Frequency Response	At minimum gain (+10 dB)	-0.1 dB at 10 Hz, -1 dB at 115 kHz, relative to 1 kHz
	At maximum gain (+40 dB)	-2.5 dB at 10 Hz,  -1 dB at 110 kHz, relative to 1 kHz
High-Pass Filter
Roll-Off	18 dB per octave (3 pole filter)
Frequency Range	Continuously variable from 16 Hz to 420 Hz (-3 dB)
Weight and Dimensions
W x D x H	480 mm x 280 mm x 44 mm
Weight	3.7 kg

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